Rose McGowan: Planet 9 review: 'She can hold a note – but not always the right one'

Assembly Hall, Edinburgh
The #MeToo activist made herself a refuge, where orbs shimmer and we can be our best selves. What a pity she spends this frustrating show wafting around like a refugee from 1970s sci-fi

You can understand why Rose McGowan might want to leave this planet behind her. She grew up in and then fled a cult, fell into the arms of another cult (as she describes Hollywood), survived s****l assault and endured the abuse that came with leading the #MeToo campaign against it. Small wonder she created a place to take refuge: Planet 9, where orbs shimmer and we’re all free to become our best and most beautiful selves. But on the basis of her new show, one doubts whether many will come along for the ride.

The show and album that take us there were created alongside her memoir, Brave. The latter gave vent to her anger; the former is more optimistic. “We don’t have to be so earthbound in our thinking,” McGowan tells us, barefoot and stately in a white Grecian robe. This “visuals, spoken word and singing” show features tracks from her album with video she has made herself, spliced into a sermon about escaping our psychological shackles and realising our potential to be free. “Not to sound like a Californian hippy”, she says at one point. That is exactly how she sounds.

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Source: theguardian
Rose McGowan: Planet 9 review: 'She can hold a note – but not always the right one'